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Angkor Thom 
    
Angkor Thom is undeniably an expression of 
the highest genius. It is, in three dimensions and on a scale worthy of an 
entire nation, the materialization of Buddhist cosmology, representing ideas 
that only great painters would dare to portray.
BACKGROUND
Angkor Thom, the last capital of the Khmer Empire, was a fortified cit enclosing 
residences of priest, officials of the palace and military, as well as buildings 
for administering the kingdom. These structures were built of wood and have 
perished but the remaining stone monuments testify that Angkor Thom was indeed a 
"Great City" as its name implies. Temples inside the walls of the city described 
in this book are. Bayon, Baphuon, Phimeanakas, Terrace of the Elephants, Terrace 
of the Leper King, Prah Palilay, Tep Pranam and Prasat Suor Prat.
The Royal Palace situated within the city of Angkor Thom is of an earlier date 
and belonged to kings of the tenth and first half of the tenth and first half of 
the eleventh centuries. Although the foundations and an enclosing wall around 
the palace with entry towers have been identified, little evidence remains of 
the layout of the buildings inside the enclosure. This absence of archaeological 
evidence of the royal buildings suggests that they were constructed of wood and 
have perished. The French ascertained a general plan of the Royal Palace (see 
map opposite). It included the temple-mountain of Phimeanakas and surrounding 
pools together with residences and buildings for administering the capital, 
which were probably at the back of the enclosure. Jayavarman VII reconstructed 
the original site of the Royal Palace Palace to erect the city of Angkor Thom, 
which was centered on the temple of Bayon and surrounded by a wall. Zhou Daguan 
the Chinese emissary, who provided the only first-hand account o f the Khmer, 
described the splendor of Angkor Thom.
At the center of the Kingdom rises a Golden tower Bayon flanked by more than 
twenty lesser towers and several hundred stone chambers. On the eastern side is 
a golden bridge guarded by two lions of gold, one on each side, with eight 
golden Buddhas spaced along the stone chambers. North of the Golden Tower of 
Bronze [Baphuon], higher even than the Golden tower. a truly astonishing 
spectacle. With more than ten chambers at its base. A quarter of a mile further 
north is the residence of the King rising above his private apartments is 
another tower of gold, These are the monuments which have caused merchants from 
overseas to speak so often of "Cambodia the rich and noble "
Symbolically, Angkor Thom is a microcosm of the universe, divided into four 
parts by the main axes. The temple of the Bayon is situated at the exact center 
of the axes and stands as the symbolical link between heaven and earth. The wall 
enclosing the city of Angkor Thom represents the stonewall around the universe 
and the mountain ranges around Meru. The surrounding moat (now dry) symbolizes 
the cosmic ocean.
LAYOUT
The city of Angkor Thom consists of a square, each side of which is about three 
kilometers (1.9 miles) long a laterite wall 8 meters (26 feet) in height around 
the city encloses an are of 145.8 hectares (360 acres). A moat with a width of 
100meters (328 feet) surrounds the outer wall. An entry tower and along causeway 
bisect each side of the wall except on the east where are two entrances. The 
additional one, called the "Gate of Victory "is aligned with the causeway 
leading to the Terraces of the Elephants and the Leper King. A small temple 
known as "Prasat Chrung' stands at each corner of the wall around the city of 
Angkor Thom. An earth embankment 25 meters (82 feet) wide supports the inner 
side of the wall and serves as a road around the city.
CAUSEWAY WITH STONE FIGURES
A long causeway leading to each entry tower is flanked by a row of 54 stone 
figures on each side – demons on the right and gods on the left-to make a total 
of 108 mythical beings guarding the city of Angkor Thom. The demons have a 
grimacing expression and wear a military headdress whereas the gods look serene 
with their almond-shaped eyes and wear a conical headdress. (Some of the heads 
on these figures are copies; the original ones have been removed and are at the 
Angkor Conservancy in Siem Reap).
A serpent spreads its nine heads in the shape of a fan at the beginning of the 
causeway. Its body extends the length of the causeway and is held by the gods 
and demons forming a serpent-like railing. It may symbolize the rainbow uniting 
the worlds of man and the gods. This representation is reinforced by the 
presence of Indra.
A small sandstone temple dedicated to the bodhisattva Avalokitesvara occupies 
each corner of the wall enclosing the city of Angkor Thom. An inscription at the 
temple names Jayavarman VII as the builder and gives the charter of the 
foundation of the wall and moat of the city. Each temple is in the shape of a 
cross opens to the east with a porch on each side, and is crowned with a 
lotus-shaped top. Abase with two tiers supports the temple. Female figures in 
niches and false windows typical of the period decorate the exterior. The upper 
half of the window is sealed with laterite blocks in emulation of an awning; the 
lower half contains balusters.
ENTRY TOWERS
Through here all comers to the city had to pass, and in honor of this function 
it has been built in a style grandiose and elegant, forming a whole, 
incomparable in its strength and expression.
The five entry towers are among the most photographed of all the ancient 
Cambodian ruins. Each sandstone tower rises 23 meters (75 feet) to the sky and 
is crowned with four heads, one facing each cardinal direction. The faces may 
represent the rulers of the four cardinal points at the summit of mount Meru. 
The lower half of each gate is modeled like an elephant with three heads. Their 
trunks,, which serve as pillars, are plucking lotus flowers. The Hindu god Indra 
sits at the center of the elephant with an Apsara on each side. He holds a 
thunderbolt in his lower left hand.
Looking through the tower one can see a corbel arch, a hallmark of Khmer 
architecture. Inside, wooden crossbeams are visible and a sentry box stands on 
each side.
| 
		 Source: Ministry of Tourism of the Kingdom of Cambodia  | 
	
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